Over the last four or five years, I've dedicated myself to learning how to make a great story. I've read a number of the go-to books on the subject, consumed stories by both watching films and reading books/scripts, and I've written many, many short scripts. Yet, all the studying has been in vain because I think there is a major aspect I overlooked. Everyone has a story. Not necessarily something written or told, but rather, something we live. I have not actively lived my story.
(Books you should read to help you understand your story: Story, The Writer's Journey, and Wild at Heart)
Since this revelation a short time ago, I've decided I want to discover the source, the great meaning behind my own personal story. I think we are all given a purpose, and I think we all fulfill that function whether or not we desire to. Yeah, that is a tough pill to swallow if you believe we are destined to run our own lives. Some would argue it takes out the mystery of the journey, because they assume where they are right now could very well be what the end is like.
But that very state of mind could be the much needed call to adventure you long for deep in your heart. If you don't like your circumstances, perhaps you should change them. I've been disheartened by the post-college world. You are expected to get a job, maybe you change that job once or twice in your career, but otherwise, you are set for life. Prepared to go and finish. That is honorable, and I respect people who can do that. But that is not me. I need a malleable, shifting, mystery to follow in order to feel I have meaning. The unknown is so captivating to me, that I must at least attempt to lasso and gaze deep into it.
The great mystery, I think, is God's plan. We have no clue how our lives are going to end up. He knows where to set the edge just where we aren't looking. The beckoning into this sweeping mystery is often referred to as the call to adventure. It's one of those places where we may believe we have everything planned out and under control, but God has another plan.
I was going to make a short film. Something that I've desired to do for a long time now. It's no news to anyone that I wanted to do this. I'm a film major, its what I'm expected to do. Make some content, either written or visual, and use it as a stepping stone into the next tier of professionalism. The short film will have to wait. I was recently given the opportunity to hop on an airplane, travel 3,500 miles to the northwest Pacific, and become a deckhand on an Alaskan fishing boat.
(One of the boats in the fleet I'll be fishing in)
I've never fished before, let alone been to Alaska and the prospect both frightens and thrills me. It is the ultimate mystery. One of the best aspects about this journey, is my captains interest in documenting his work through video. He wants me to produce videos about the daily work of an Alaskan fishing boat.
Now, this isn't a line of work to be taken lightly, as I've been told. The hours can range from 16-24+ hour days. The work is physically strenuous; often requiring deckhands to pull nets full of a legion of fish for the above listed amount of hours, and on top of the physically demanding side, there is not a lot of room for error. The crew and captain, most likely, have been doing this work for many years. They will expect nothing less than great work 100% of the time.
The end result to working through the season can be very lucrative, but I seek something more than money. It's that journey, that discovery. In Latin, one word for discovery is inventum. I love the root word; invent. In English, it leads you to think "create." Create your discovery. Inventum. I am on the edge of this great story.
I'd like to write about my journey with reference to the concepts, ideas, and steps of story. The first Act is ready to begin. I know the stakes of the journey, at least in part. There could be even greater ones that are unforeseen by me at this moment, but that will only enrich the experience. It's a mystery, even if I know the setting is a fishing boat in Alaska. That alone holds enough of the unknown to me that it is exciting.
If you want to experience life as exciting, wrap your head around the fact that you live a story. It isn't just a mundane set of events every day. Rather, every new day can be seen as an adventure. You wake up, it's time for work. You know the setting, but the work could be very different today. Will Jack come over to my desk and give me a few stupid anecdotes about his golfing? Will my boss recognize the work I've done today? Will my computer die on me while working on an important presentation?
Everything can be a mystery. The stakes can be high. Don't allow yourself to settle for anything less than a great story. Starting at the end of this month, mine will begin by jumping on a plane to Alaska.
I hope you come back to share in my journey.
Friday, April 27, 2012
Thursday, April 5, 2012
Movie Review: The Fall
While this review is four years over due from the films release date, I just got around to watching it last night. Now before I jump into my thoughts on this film should have a disclaimer about how I'm going to start running this blog.
I'd like to start using this blog as a place to improve my writing, learn more about movies, and perhaps build a community that can discuss movies and theology openly. Not all reviews will be deeply theological, as you will see with this one.
I've decided that a great way to start a blog like that would be reviewing films. I'm going to approach it a bit differently than just a spewing of personal opinions regarding a film maker, and his work. Instead, I'm going to give a brief background on the director (and occasionally the writer) in order to build an understanding of these people's point of view. Often we watch a movie, miss the creators point, and cast it aside as a bunch of hooey because we didn't get the message. I'm not saying every review will be unbiased, and I'm not saying every movie is good, but I promise I can't write completely bureaucratically. This is an exercise to look at the theology of a film as laid out by the cinematography and story, and think critically about that worldview.
Why don't I just jump right into this new thing?
The director of "The Fall" is Tarsem Singh. You may not know his name, but I'm close to certain you've seen his work. In the mid 90's he was directing award winning music videos for REM, and making controversial Levi's commercials with Jamie Presley (My Name Is Earl), and flying around the globe for Nike, Mountain Dew and many other tiny brands. He is of the same class as guys like Spike Jonze and David Fincher; film director's who started by directing commercials for the small screen.
http://www.youtube.com/watch?v=if-UzXIQ5vw
http://www.youtube.com/watch?v=-BXpAoBIQKU
The more I researched Tarsem and "The Fall," the more I was intrigued, inspired, and impressed with the guy. He's Indian, went to boarding school in the Himalayas, convinced his aircraft engineer father to send him to Harvard, instead won a scholarship to the Art Center College of Design, and started directing music videos. When his father found this out, he told Tarsem "you don't exist anymore."
A painful sentence to digest, and one that will echo in his film.
Tarsem would go on to be paid very well to fly the globe making landmark commercials and music videos in Japan, India, South Africa...you name it. The travels to the numerous beautiful locations would pay off, not literally, as he returned to many of them to film the epic world in "The Fall."
One of the most magnificent aspects of this film is the grandeur of each location, which are not CGI, save for cleaning out unsightly telephone poles and the like. From deserted islands to blue cities(which are real http://en.wikipedia.org/wiki/Jodhpur), to vast deserts; this film is an epic with a personal touch.
Set in the early age of cinema, sometime between 1915-1925, we find ourselves in a Los Angeles hospital. Our main character is Alexandria, a six year old girl (Catinca Untaru) who broke her arm. She runs around the hospital, making friends with the ailing patients. Our little hero has a vivid imagination, which serves as the epic side of this film. Alexandria meets another patient, a Hollywood stuntman named Roy Walker, played by "Pushing Daisies" Lee Pace. Roy was injured while attempting a daring leap from a train bridge onto a horse.
The stuntman's drugged up, sad mind feeds Alexandria a tale that becomes the world of Tarsem's "The Fall." Cinematically, there are few comparisons, though some have described it as a "Wizard of Oz" for adults. Just imagine if all the locations in that well known movie were actually real. Tarsem spent the better part of 8 years looking for a girl to fit the role, and when he found her, he immediately began filming in a mental ward in South Africa.
Now for some more on the making of the movie, Lee Pace' character was paralyzed. Tarsem wanted the girl to fully believe that her friend was not able to walk. In order to create the illusion the only person who knew Lee was could walk on the set, was the nurse who took Lee back and forth for bathroom breaks. Talk about committed...They filmed the entirety of the hospital scenes chronologically; the first time Alexandria met Roy, was when we also first meet him. Pretty insane, huh?
The story weaves deeper as we find out that Roy will most likely never walk again, so he sends Alexandria on missions to find medicine that will "help him sleep," in return for his stories. Alexandria does his bidding, unknowingly aiding the man in a journey to a potentially sad end.
As our characters meet daily, Alexandria's imagination begins to project Roy as her father, which Roy, plays along with for the sake of the story. Eventually, though, Roy becomes increasingly adamant about finding medicine to help him sleep. Roy echo's a line similar to what Tarsem heard from his father "I'm not your father." The personal aspect of this film is evident from the heavy subject matter.
After filming the hospital scene Tarsem
Which brings me to my analysis of what Tarsem Singh believes. Tarsem was born into a Sikh family, and for those of you who don't know the Sikh religion, it is based heavily in Punjab region of India (http://en.wikipedia.org/wiki/Punjab,_India) The religion is based on a unification with god, and they believe in equality for humankind. In "The Fall," it is clear that there is a belief of equality for humankind by the epic tale Roy tells Alexandria. She imagines five men, a former slave, an Indian (who looks very Sikh), an explosive expert, Charles Darwin (yes that one), and the masked bandit.
From the eclectic mesh of characters we see they have one goal: to defeat the evil Odious. This man has wronged each of our characters deeply, representing a sort of Satanic character, who remains largely unseen in the film. We see a battle between what feels like an unbeatable force of evil and the likes of men who have been wronged deeply in the wake of this evil.
Overall the film has a positive outlook and I think makes for a great family film, despite bouts of violence. If you are interested in a completely original, beautifully photographed movie, Tarsem's "The Fall" is for you.
I'd like to start using this blog as a place to improve my writing, learn more about movies, and perhaps build a community that can discuss movies and theology openly. Not all reviews will be deeply theological, as you will see with this one.
I've decided that a great way to start a blog like that would be reviewing films. I'm going to approach it a bit differently than just a spewing of personal opinions regarding a film maker, and his work. Instead, I'm going to give a brief background on the director (and occasionally the writer) in order to build an understanding of these people's point of view. Often we watch a movie, miss the creators point, and cast it aside as a bunch of hooey because we didn't get the message. I'm not saying every review will be unbiased, and I'm not saying every movie is good, but I promise I can't write completely bureaucratically. This is an exercise to look at the theology of a film as laid out by the cinematography and story, and think critically about that worldview.
Why don't I just jump right into this new thing?
The director of "The Fall" is Tarsem Singh. You may not know his name, but I'm close to certain you've seen his work. In the mid 90's he was directing award winning music videos for REM, and making controversial Levi's commercials with Jamie Presley (My Name Is Earl), and flying around the globe for Nike, Mountain Dew and many other tiny brands. He is of the same class as guys like Spike Jonze and David Fincher; film director's who started by directing commercials for the small screen.
http://www.youtube.com/watch?v=if-UzXIQ5vw
http://www.youtube.com/watch?v=-BXpAoBIQKU
The more I researched Tarsem and "The Fall," the more I was intrigued, inspired, and impressed with the guy. He's Indian, went to boarding school in the Himalayas, convinced his aircraft engineer father to send him to Harvard, instead won a scholarship to the Art Center College of Design, and started directing music videos. When his father found this out, he told Tarsem "you don't exist anymore."
A painful sentence to digest, and one that will echo in his film.
Tarsem would go on to be paid very well to fly the globe making landmark commercials and music videos in Japan, India, South Africa...you name it. The travels to the numerous beautiful locations would pay off, not literally, as he returned to many of them to film the epic world in "The Fall."
One of the most magnificent aspects of this film is the grandeur of each location, which are not CGI, save for cleaning out unsightly telephone poles and the like. From deserted islands to blue cities(which are real http://en.wikipedia.org/wiki/Jodhpur), to vast deserts; this film is an epic with a personal touch.
Set in the early age of cinema, sometime between 1915-1925, we find ourselves in a Los Angeles hospital. Our main character is Alexandria, a six year old girl (Catinca Untaru) who broke her arm. She runs around the hospital, making friends with the ailing patients. Our little hero has a vivid imagination, which serves as the epic side of this film. Alexandria meets another patient, a Hollywood stuntman named Roy Walker, played by "Pushing Daisies" Lee Pace. Roy was injured while attempting a daring leap from a train bridge onto a horse.
The stuntman's drugged up, sad mind feeds Alexandria a tale that becomes the world of Tarsem's "The Fall." Cinematically, there are few comparisons, though some have described it as a "Wizard of Oz" for adults. Just imagine if all the locations in that well known movie were actually real. Tarsem spent the better part of 8 years looking for a girl to fit the role, and when he found her, he immediately began filming in a mental ward in South Africa.
Now for some more on the making of the movie, Lee Pace' character was paralyzed. Tarsem wanted the girl to fully believe that her friend was not able to walk. In order to create the illusion the only person who knew Lee was could walk on the set, was the nurse who took Lee back and forth for bathroom breaks. Talk about committed...They filmed the entirety of the hospital scenes chronologically; the first time Alexandria met Roy, was when we also first meet him. Pretty insane, huh?
The story weaves deeper as we find out that Roy will most likely never walk again, so he sends Alexandria on missions to find medicine that will "help him sleep," in return for his stories. Alexandria does his bidding, unknowingly aiding the man in a journey to a potentially sad end.
As our characters meet daily, Alexandria's imagination begins to project Roy as her father, which Roy, plays along with for the sake of the story. Eventually, though, Roy becomes increasingly adamant about finding medicine to help him sleep. Roy echo's a line similar to what Tarsem heard from his father "I'm not your father." The personal aspect of this film is evident from the heavy subject matter.
After filming the hospital scene Tarsem
Which brings me to my analysis of what Tarsem Singh believes. Tarsem was born into a Sikh family, and for those of you who don't know the Sikh religion, it is based heavily in Punjab region of India (http://en.wikipedia.org/wiki/Punjab,_India) The religion is based on a unification with god, and they believe in equality for humankind. In "The Fall," it is clear that there is a belief of equality for humankind by the epic tale Roy tells Alexandria. She imagines five men, a former slave, an Indian (who looks very Sikh), an explosive expert, Charles Darwin (yes that one), and the masked bandit.
From the eclectic mesh of characters we see they have one goal: to defeat the evil Odious. This man has wronged each of our characters deeply, representing a sort of Satanic character, who remains largely unseen in the film. We see a battle between what feels like an unbeatable force of evil and the likes of men who have been wronged deeply in the wake of this evil.
Overall the film has a positive outlook and I think makes for a great family film, despite bouts of violence. If you are interested in a completely original, beautifully photographed movie, Tarsem's "The Fall" is for you.
Friday, January 27, 2012
Little Beckoning
Lately I've felt a taste of mortality.
I always figured my father was going to live forever, but last year he had an incident where his heart began to beat irregularly. One day in the middle of summer he fell to a knee, in no pain, and blacked out.
Immediately my mind went through a type of fact sheet. "He's a big guy, he's had other health issues. This could be his time."
I called my family. It turned out my dad would be fine for now. I spoke to him, just to hear his thoughts about his health, life and so on.
"Hey pop, I heard you had a little scare."
"I didn't, everyone else did."
A pause.
"What do you mean, dad?"
"My only thought was that if it ended right now, I was finally going to see God."
My heart was in my throat. Potentially his final thought and it was not lined with sadness or fright. Rather a release, a final goodbye to his earthly body and the chains that force us to die.
"I think that death is the last thing we have to do before we die and get to see God. I don't see it as scary, I think it is a good thing."
It may have been the most important thing I've ever heard. It's been more than a year since that conversation, where mortality pricked my psyche, my heart, saying: I am here, know and fear me.
I ignored this little beckoning. My father survived, if anything it was as if I was jumping in a lake and holding my breathe for a few seconds longer than I should. Nothing to be afraid about.
Last week my father was going in for a check up and he was immediately admitted into the hospital. A quadruple bi-pass was in order. Essentially, sawing a man open and cutting his heart to make it work. Ancient Greeks would think we were barbarians and Vikings would be proud.
Again, this little beckoning came over me. I visited my father in the hospital. I prayed the hour-and-change car ride it takes to get home that God wouldn't take him yet. What did I learn from my last experience with my father? Only that the ones who are left behind are frightened the most.
I don't know what I expected to see in the hospital, but pipes and IVs were involved. I arrived at the nearly vacant hospitals cardiovascular ward and laid eyes upon my dad, watching some infomercial on his room TV, he was in a gown. He looked bored as a dog in a kennel. Only one IV in his hard, nothing else.
Again we talked, there at a precipice of life and death and what did we speak about? Knowing your enemy, the Cuban missile crisis, and the fairness of communists putting nuclear arms so close to the US. (To be clear, my father is not a communist...) All in all, this was not a conversation out of the ordinary for us.
Yet this time, I felt the true themes of what he was saying to me; be fair - don't take advantage of questionable times, rather know the enemy - who is Satan. Understand he will take advantage of you any chance he has.
My father wasn't different acting in fear and dread at the idea of death. As a matter of fact the one thing he did say about being in the hospital was he didn't want to pay such a big bill for a hotel room with crappy TV channels.
The surgery went well. He's recovering and I am going to see him this weekend. Though I often wish circumstances like this wouldn't bring me home to see my parents, it is often this sort of catalyst that brings us home.
A week after my fathers surgery my mother was admitted to the hospital. She had a small cut in her leg that somehow became infected. She has had diabetes for a while, and because of complications of this disease the doctors scheduled an emergency surgery.
You can only imagine my fear when I heard this happened. First, my father now my mother.
Again, this surgery went well. Both mom and dad are recovering. But my mind has been traveling to a place of reconciliation. Death is here. We need to see it. We live our lives and only recognize death when someone dies. Oh, what a dreadful mistake. In the moments when we see it's potential for sadness, we can see its true potential for happiness. If we know our loved ones are in Christ, we have nothing to fear. It is the final threshold we all must pass before we head into eternity. Our own personal crescendo that began with God's curse on man. It is a beautiful thing to see this personally.
My father and mother both love Jesus. For the last 20 years they have dedicated themselves to taking care of orphans and children - including myself. I've always thought it sounded like something out of James 1, the way my parents live and work. It is good to know they are rescued from a true death. The one that encompasses fully and does not end. That is where fear can rise. If our loved ones, or if we aren't friends of God.
Death can be a terrifying thing, but it doesn't have to be the end. Death can be a beautiful, somber reckoning with life, our loved ones, and God. I think there is something beautiful about thinking about the inter-connectivity of life and death for humans. We recognize it is not right. Death was never originally intended, but now it is a necessity.
However, it cannot deter us from living.
Introspect.
Breath.
Learn.
And keep moving.
Sunday, May 29, 2011
The Tree of Life - My Review
Distant, yet personal, visual but emotional; The Tree of Life delves deep into the heart of humanity. The gritty truth where we experience a fierce change. The front row seat in this experience we all go through is an evident and blatant portrayal of who we are: fallen members of creation. The heart of human struggle is put on display with the asking of a few questions: what is our nature? Are we good or evil? If there is one thing to learn from this film, if there is one element we need to walk away with it is this: This film shows who we are.
Terrence Malick has received acclaim for this film, and rightly so. It is a beautiful work, an example of hidden struggle he must have went through. However, the human view of Malick sees him as a genius, he gains the glory from them. In reality, Malick has shown that that is the opposite thing he wants. Tree of Life won the Palm D'or at the Cannes film festival, but he has not made many appearances in front of the media. I believe this reclusiveness is because he wants the audience to look at the film, and look at themselves. Malick's intimate story shows that he believes in toiling the earth, God's curse upon man. Malick is just a man. Watching the Tree of Life is a glimpse of Malick's toil.
Though the performances by the stars were fantastic, the brights performers in this film were the young actors. Pulling their weight against Hollywood heavyweights, the young actors performed so naturally, you are forced to wonder if the camera was ever even there. They were real.
The Tree of Life is a beautiful film. Malick uses a very gradual rising action to get to the heart of the story. It you expect to immediately be in a narrative, you will find yourself wanting immediately. Wait, let the momentum build and when the actual story hits in, you will be thankful you waited.
I recommend The Tree of Life. Watch it, experience it, and let the story entrance you.
Terrence Malick has received acclaim for this film, and rightly so. It is a beautiful work, an example of hidden struggle he must have went through. However, the human view of Malick sees him as a genius, he gains the glory from them. In reality, Malick has shown that that is the opposite thing he wants. Tree of Life won the Palm D'or at the Cannes film festival, but he has not made many appearances in front of the media. I believe this reclusiveness is because he wants the audience to look at the film, and look at themselves. Malick's intimate story shows that he believes in toiling the earth, God's curse upon man. Malick is just a man. Watching the Tree of Life is a glimpse of Malick's toil.
Though the performances by the stars were fantastic, the brights performers in this film were the young actors. Pulling their weight against Hollywood heavyweights, the young actors performed so naturally, you are forced to wonder if the camera was ever even there. They were real.
The Tree of Life is a beautiful film. Malick uses a very gradual rising action to get to the heart of the story. It you expect to immediately be in a narrative, you will find yourself wanting immediately. Wait, let the momentum build and when the actual story hits in, you will be thankful you waited.
I recommend The Tree of Life. Watch it, experience it, and let the story entrance you.
Thursday, February 10, 2011
Ante Up
Here is a link to the Short Film I directed last spring. Comment, Critique, Enjoy!
http://www.vimeo.com/19762545
http://www.vimeo.com/19762545
Tuesday, February 8, 2011
Top Five Sites for Filmmakers
Sharing and collaborating is an important part of nearly every profession, but it is vital in the film making business. I decided that it would be a good idea to share the top five websites I visit regarding how to improve as a film maker. Here Goes:
Why? John August is a writer/director who has been in the business for about 20 years. He has been a favorite of Tim Burton for a while, writing Big Fish, The Corpse Bride, Charlie and the Chocolate Factory(the new one...duh) and a few others. August knows the Hollywood system of execs, directors, writers and insiders. His blog hits several key aspects of the industry including writing and directing. He's smart and straightforward with his posts. Also, he is a great writer. I'd encourage you to watch The Nines.
4. The 99%
Wait...this site isn't a film site? Whats the deal with this site? Why? The 99% is a site for creative leadership/individuals, so naturally that fits for film. There are tons of great articles on leadership, productivity, collaboration, discipline and a number of other topics. Every article I've read on the site can be related to film making in some aspect. Its clear and easy to navigate and has a lot of great stuff to say.
3. ScriptShadow
A daily blog run by a guy who reads scripts, both professional and amateur, and writes reviews that are constructive; pointing out the strong suits and the weak points in the scripts. He knows what he is talking about. Also, you can send your scripts to him for a beating. He doesn't review every script, but if you have a good logline, he may choose to review it. If you want to be a director, its a good idea to read scripts because you will be doing that for a living. Producers can find great info about what to look for in a script and writer...well its one of the best sites for writers simply because of all the reasons stated above.
Another blog run by a screen writing professor from the University of North Carolina, and he also teaches out of the Writers Extension Program at UCLA. He has had a few scripts produced in the late 80s/early 90s. Essentially, he has the accreditation you'd want from a writing professor...and he teaches (for the most part), his classes on his blog. He posts nearly bi-hourly, and he posts a TON. Anything from produced scripts to tips from writers, to interviews with them, directors and anything else you can think of regarding film making. Also, the guy replies to emails and comments. I sent him an email not expecting to hear back and he wrote back within a week. There is an extensive library of info on his site, so it will take you a lifetime of reading if you want to know everything he has posted, but I recommend taking a look at his archives.
1. Zoetrope
Zoetrope is a website created by the one and only Francis Ford Coppola, director of The Godfather trilogy and Apocalypse Now. The site is an enormous virtual studio for nearly all aspects of the creative film making process. You are able to post, read, review and be reviewed by professionals, amateurs and people who like to read scripts. I've had two of my short scripts reviewed by a number of professionals and reggos alike. It's a fantastic form of collaboration. I've had several scripts sent to me by people interested in having them made. There are rules and regulations on the site that help control theft of ideas, so you are OK to post nearly anything you've made.
That's it. Go check the sites out, visit them and let me know what you think.
Do you have any sites you like to visit? Post them in the comments section so I can check them out and share them with others as well.
Sunday, February 6, 2011
A Note of Congratulations
I'd like to congratulate the Green Bay Packers for the rough season they experienced and the Super Bowl trophy they won. Injuries plagued the team throughout the season, and some of that crept into this game; they lost a key player on both sides of the ball, but they still pulled it out. Way to be a tough franchise and get the win in the end.
I used to dream of playing football as a kid, my parents had to sit me down in 9th grade and explain how I wasn't good enough to make it, in nice words: "Mike...if you want to play in the NFL you're going to want to grow six inches taller and become fast...maybe you should be a plumber?"
Love my parents. If it weren't for them I wouldn't be a film maker.
Hope you enjoyed Super Bowl XLV.
I used to dream of playing football as a kid, my parents had to sit me down in 9th grade and explain how I wasn't good enough to make it, in nice words: "Mike...if you want to play in the NFL you're going to want to grow six inches taller and become fast...maybe you should be a plumber?"
Love my parents. If it weren't for them I wouldn't be a film maker.
Hope you enjoyed Super Bowl XLV.
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